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Goron Ki Na Kalon Ki - Suresh Wadkar, Usha Mangeshkar It all begins with Jimmy as a little boy -- performing on the ...Goron Ki Na Kalon Ki - Suresh Wadkar, Usha Mangeshkar
It all begins with Jimmy as a little boy -- performing on the streets of Bombay along with Rajesh Khanna (in what is billed as a "friendly appearance") -- their guitar and drums entertaining the whole neighborhood. From the distance a rich little girl watches the fun loving pair in envy and one day she invites Jimmy behind her compound wall to make music together. Her father comes home though and wha*ks the boy across the face, throws Jimmy's mother down on the ground and has Jimmy arrested. Jeered by their neighbors, the mother and son are forced to leave Bombay in shame and settle elsewhere -- but the little boy swears vengeance -- his weapon of choice -- disco.
Jump ahead fifteen years into the middle of disco fever and the "I am so cool it must hurt" Sam rules the disco kingdom. The adulation and success have gone to his head though as he pleasures himself with groupies, talks about himself in the third person and yells out in English "Shut up. Sam is great you know. Sam is a music king. Sam is a star". Unfortunately for Sam his salad days are about to end. Frustrated with Sam's egotistical ways, his manager leaves him and goes searching for a new talent. Not surprisingly, he spots Jimmy (Mithun Chakravarti) sort of skipping and dancing on a street and immediately knows this is the next big thing! In his first appearance the crowd is filled with hostile supporters of Sam (sort of like when the Beatles came along and pissed off the Elvis fans) and Sam's sister (only billed as Kim) leads the other women in throwing their shoes at Jimmy -- but our Jimmy calmly catches them and soon has the crowd eating out of his hand with his white stretch outfit and his crab like dancing -- and the occasional roll on the ground. It doesn't look great as he performs some really odd moves -- but at least compared to Sam it is a marked improvement. Sam sort of moved like the Energizer Bunny -- all stiff armed and mincing steps -- and enjoyed jumping into and out of the frame for no reason. Soon Jimmy fever breaks out all over India and everyone is buying Jimmy T-shirts, Jimmy Perfumes, Jimmy Ice Cream and Jimmy Fabrics. He is the new disco king! Meanwhile Sam descends from bad fashion sense to heavy drinking to shooting up in heroin in his depression at having no more groupies to grope.
Of course life being the perplexing bowl of cherries it is, it incredibly turns out that the girl throwing shoes at him was the very same girl he played with so many years before! This means of course that her father is the cruel and wide tied creep that so shamed Jimmy. What a conundrum -- he of course soon falls in love with the girl but the father and son are trying to kill him so that Sam can once again regain his throne. Yes, they take disco very seriously in India. So they hire a gang of thugs to beat poor Jimmy up. In a truly classic scene they surround him -- each snapping their fingers in unison as they pour blow after blow on Jimmy -- soon he is a bloody helpless rag doll in the dirt -- until they make the big mistake of smashing his guitar. Don't break a man's guitar when he is down -- that is simply poor etiquette. Jimmy pulls himself up -- and begins SNAPPING his fingers -- the hooligans pause -- in fear of the snapping fingers -- and Jimmy uses his astonishing kung fu skills (which he had apparently previously forgotten he possessed) and wipes them all out. Bruce Lee would be proud. Later these same hooligans beat him up with hockey sticks and throw him off a cliff -- but that's not enough to stop this Disco Dancer. He is soon throwing them through windows and kicking them across the room.
The film has many such bad but enjoyable scenes -- an electric guitar that literally electrocutes, Jimmy developing discophobia and screaming in agony when he touches his guitar, Rajesh Khanna showing up out of the blue to perform a double twisting flying somersault from twenty feet away to save Jimmy and the bad guys just mowing down the audience with a machine gun. Of course, during the disco period I think a lot of us would have liked to have done the same!
Add to this, the very fun dance numbers with the flashing lights, the spinning disco balls, the wonderful background dancers in tinsel and the disco beat. The music is actually very catchy -- some seven songs and each one of them a little pop delight. I had come across the music first and enjoyed it so much that I finally had to see the film -- and from nearly the first scene to the last I had a big silly goofy smile on my face that returns each time I think of Sam and his female partner (squeezed into her hotpants like an overstuffed sausage) singing "Bang Bang" or Jimmy with some weird little Batman mask around his forehead crooning "I am a Disco Dancer".(more)(less)
PREM PRATIGYA This casually complex love affair between a destitute, helpless working girl and a local henchman who both ...PREM PRATIGYA
This casually complex love affair between a destitute, helpless working girl and a local henchman who both live in a shanti town in Mumbai suburbs works mainly secondary to the chemistry between its two lead stars who both come up with spontaneous performances.
Madhuri as the vulnerable young woman who works as a domestic maid finds herself a prey in a pedantically sexist society after her grandfather sudden demise, she is totally convincing from the frivolous young working class woman to the bereaving daughter and the angry young woman who is a victim in a male dominated society
The only person who offers her protection is a local gangster brilliantly played by Mithun Chakraborty who is simultaneously torn apart by his empathy and attraction to the damsel in distress, he portrays himself with subtle restrain and his speechless performance is the hallmark of the movie where he converts the scornful woman who loathes his illegitimate lifestyle to a young woman who starts to initially respect and ultimately love the very pinnacle of her hate.
The conversion is mutual and very lyrical as it is expressed by cinematic language instead of words and the movie evolves through some of the best acting seen on Indian screen between the two main characters sharing the screen.
The final outcome is of no consequence as the theme is about mutual respect in a relationship earning ultimate love rather than simple physical attraction and infatuation and the script and acting succeed in conveying the message .
It is a delight to see the screen chemistry between two great natural artistes like madhuri and mithun and it is both rewarding and refreshing to see a Bollywood movie where a mature love affair is described in a totally natural environment rather than the fairy tale classics with huge mansions and Gucci dresses endorsed wit Porsches and Swiss locales.
For once this love live almost pulls it off but is marred by a silly and totally irrelevant comedy track between devan verma -aruna irana which can be easily edited out as it deserves to be chopped out of this love classic by the director who seems to have been under pressure to include it for commercial demands ,its totally disgraceful and irritating in a movie which can easily be called a love classic minus the silly intervention .
Definitely a watch for the thawing affections bestowed by madhuri on the callous and savage gangster, mithun who is smitten with love and inspired by faith and honesty of a vulnerable young woman to a rehabilitation only true love can aspire to, this movie treads a love line scorching with fire and succeeds in crossing it without getting burnt or blistered ,which is a rare achievement for bollywood.
A love story from the shanty towns of India between two very unlikely characters which will thaw some cynical critics yet a tribute to both mithun and madhuris talents captured simply without any indulgent melodrama or production numbers.
Courtesy: Revie writen by Usman Khawaj(more)(less)
