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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
This case is one of our primary workhorse cases; it goes practically everywhere we go. In the case, we have three Velas 1500 watt /second packs. We have a little bit of gaffer's tape. We have five heads.
Each of the heads is individually labeled with a number, and our contact information if God forbid a head get left somewhere. Three power cords, several reflectors, and an extension cord. If we need to go beyond where this extension cord will get us, we actually take separate cord kits that are individually packed sets of power cords and extension cords and power strips. This kit is spec'd out so that it weighs one hundred pounds and no more. One of the nice things about this is what we also do in addition is we label the front of it on a white piece of tape the actual dimensions of it and we'll write on there what the weight is we are working with. So that the airline person does not come out after the fact and say to us that this is too big or this weighs too much.
So let's look at each one of these Vela packs. One of the things that I really like about the Velas is that you can put three heads in it. Each one of these heads is plugged into the pack, and then is adjustable in tenth of a stop increments. From anywhere within the 500 watts/seconds to 125 watt/second range, all the way up to 1500. Because these are 3000 watt/second heads, they're interchangeable at all of those power settings. So we have three of these, all identical. If one of our packs was to go down, not a problem, we can actually go and use one of the packs or put more than one head on a pack if we have to. That's the value of redundancy in these packs.
Each one of these heads is an EHT-3000 head, which means it's a 3000 watt/second head. We put our contact information on it. From all sides, when you're looking at the head, you can tell which head you have. And you can make individual adjustments, because we've labeled it also with this label at the other end of the cord so that when you're at the pack you know which one you're adjusting. So when you're looking at the head, you know that this is head 7, and this is the power for head 7. When you make an adjustment on the pack to adjust the power of the head, you know which head you are adjusting.
One of the nice things about the Versa-Flex cases is they have these handles on the top, to allow you to lift the whole case up yourself. In addition, they have handles on either end. These handles allow two people to carry the pack, rather than just one. You can, of course, carry it from the top as well from these bars. One of the other really nice things, if you look here on the Hensel is this little pouch right here. This little pouch carries the wheels and the wheel bar that this pack rolls on. This Versa-Flex case is really well thought out, from the handles on the top and on the sides to the wheel bar, which we can actually insert wheels into the bottom. A wheel on either side and they screw together. So the wheels will spin on the cases. What's great about it is if you're going through an airport and one person is on this case, it's not a problem to do because of these wheels. But the great thing about it is that these wheels will come off, come apart, and they go into the pouch on the front of the pack. So you aren't breaking these wheels off when you're traveling.
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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
First things first, its obvious that every shoot requires a camera. Back in the day we used to use Hasselblad for a lot of the assignments that we do. But with digital the way it is right now, we haven't shot a roll of film in three years. This is our Canon kit, we'll take a look at the Canon kit first and Nikon kit second.
In our Canon kit, we definitely keep of our software right in case we need to do a reinstall when we're on the road. We have a 1 DS Mark 3, 1 DS Mark 2, 17-40mm, 24-105mm which we use a lot when we're going out and just need an all purpose lens. We have 85mm, 135mm/F2, and 35mm/F1.4. This is an 85mm/1.8 and a 50mm/1.4.
One of the things we like to do is stack lenses together with a stacking cap. By stacking it up, it just allows us to store them easier in the bag and they're not bouncing around as much. The reason we have an 85mm/1.8 and an 85mm/1.2 is the 85mm/1.8 is the lens we have to use when we're using the blimp, which we'll talk about in a little bit. We also have a 70-200mm.
We have three strobes 580-EX, another 580-EX; we have the new 580-EX2. We have a jackrabbit cord so we can plug it into an external battery pack for the flashes. We have an off camera cord so we can take the strobe off axis. And we have a 24-70mm/F2.8. We also obviously carry some business cards in case we need to. This is just an extra pouch if we need to put some extra accessories in. So that's the Canon kit.
And I want to tell you one thing about the equipment that we're using here in the ThinkTank. We don't always need to keep it in the ThinkTank case, instead what we might do is transfer to some of these smaller Domke bags that we have.
So let me show you, which lenses go where, and how we work with the Domkes and the smaller bags. All of our fast glass that would be all of our prime lenses are going to go in one bag. The 135mm F2, our 50mm/1.4, and our 85mm/1.8, and our 35mm/1.4 all go in the bag. We then take the camera and we may mount that camera with another fast glass like the 85mm/1.8.
That's when we're working in a really low light situation, a lot of time we're doing this with concert performances, rock'n'roll, other things where we need to be down at F2 and F1.8.
These other bags are our more travel light standard bags. In that bag is going to go the 17-40mm, the 24- 105mm, and over here is going to be the 24-70mm. We'll drop one of the strobes into this one, a backup strobe into here. We'll also take an extra battery and drop that in, our extra travel cords, our off camera cord and our jackrabbit. We'll take the other body and mount one of the lenses on there. And we're ready to go.
One of the other points I want to make about these flashes is a lot of times we will put a CTO or a green gel in front of that so we can use the strobe and match the strobe to the color temperature of the environment we're in, whether it's in a tungsten color temperature or a fluorescent environment.
Using these different gels allows us to match the strobe to the room color temperature. So that's how we work when we are not using the ThinkTanks airport security equipment, and instead we want to travel light. We'll take and get rid of this. So this is how we travel light and this is how we shoulder the equipment.
Our strobes and zoom and extra battery go on one shoulder. The other zooms, the other strobe closes up goes on the other shoulder. We don't always take the fast glass with us. So now that we got the bags on, on go the cameras, one on either side. And we're ready to go. This, believe it or not, is traveling light.
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Award winning photographer Chase Jarvis shows us the ins and outs of how he packs his photo gear for shoots on locations ...
Award winning photographer Chase Jarvis shows us the ins and outs of how he packs his photo gear for shoots on locations around the world, as well as just down the street. Whether you're an established pro or and aspiring amateur, you'll pick up some great tips from Chase, including what gear he travels with, what bags/packs he uses, and how he navigates the airlines and freight companies with his photo equipment in tow.
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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
This kit is our Nikon kit. It houses our D3, a D2X; a primary and a backup. We use a 12-24 DX lens, 70-200 2.8, 24-70 2.8, 17-55 DX 2.8, 2X teleconverter. We've got a Speedlight SB-800; it's got the tungsten gel on the front. The reason we use the tungsten gel or a fluorescent gel is to mask the color temperature in the room we're working in. These are obviously interchangeable, so we can use them depending on the situation we're in. We use a tungsten or a fluorescent gel.
We have extra double A batteries. We have three think tank cardholders. We really like these cardholders because we can hold a large number of cards; and we can put our unused cards at the top and our used cards reversed on the bottom. What we do with our cards when we're done shooting them is instead of having them in upwards; we have them in upside down. That's an indicator to us that we've shot on the card and this card needs to be downloaded.
Underneath, we have 17-35 2.8, and we have a 300 2.8. In addition on the 300 2.8, we have a 1.4 teleconverter as well. So between the 2X teleconverter and the 1.4X teleconverter, along with the 300 2.8, we can get a long distance shot and get in real tight if we need to.
We have an off camera sync cord for the strobes, several extra batteries, battery charger, more double A's, and of course business cards in this kit as well. So that's our Nikon kit unpacked. We really like the ThinkTanks Airport Security Bag, which is the name of the bag. We think it works really well; it really does a good job of protecting the equipment.
So that's our Nikon kit as we pack it in the ThinkTanks Airport Security Traveling Case. One of the things that we do is travel light quite often. We travel light with our Canons; we travel light with our Nikons. When we're traveling in a motorcade following the President, you can't be burdened with a big rolling case. You have to travel light, and travel fast.
So this equipment gets turned into two smaller cases, and we shoulder the equipment. The D3 will come out, the lens mounted on it. The D2X will come out with another lens on it. Our 70-200, our wide 12-24, our teleconverters, our off camera, batteries will slip into a side pouch, and extra batteries will slip into the other side pouch. Both of these bags are small Domke bags.
The ThinkTank card cases will go in there. The strobes will either go on the cameras or in the bags. So one on one shoulder, one on the other. The 300 2.8 will not travel with us, unless we need to and then we shoulder it separately. One camera on one side, one camera on the other side. And this is traveling light with a pair of Nikons.
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The Hasselblad H3D is the world's first 48mm full-frame, large-sensor, medium-format DSLR camera system. The H3D has been ...
The Hasselblad H3D is the world's first 48mm full-frame, large-sensor, medium-format DSLR camera system. The H3D has been developed around a brand new digital camera engine producing increased lens performance and a new level of image sharpness. By focusing solely on digital camera architecture, Hasselblad is able to offer photographers the full benefits of professional medium-format digital cameras as well as the ease of use of the best 35mm DSLRs.
Includes
Large format 48 x 36mm digital capture
Four modes of operation and storage
H System lenses
A choice of bright viewfinders
Unique Hasselblad Natural Color Solution
DNG workflow
IAA - helping you classify and select images
FlexColor workflow for the specialist commercial photographer
Service and Support
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People sometimes comment about how violent the mirror slap is on a Hasselblad V system camera. They claim you can't ...
People sometimes comment about how violent the mirror slap is on a Hasselblad V system camera. They claim you can't handhold the camera and make sharp pictures. To put the myth to rest, I have balanced a penny on its side on top of my 150mm C lens and fired my 503cx. The camera is just sitting on the table. I have not secured it to anything.
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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
One other thing that goes with us everywhere we go is our laptop. It's in an Encase Satchel, a really nice slim satchel for everything that we have in here. We have an 80 GB portable drive, that's a USB drive. Also in here are firewire cords.
One of the nice things is when we're at a hotel, we can plug the airport express into our hotel and we don't have to be tethered to the desk at the hotel. For the airline that's considerate, we can plug this right into the power at our seats, or we can put the cigarette lighter adapter on and use it with a cigarette lighter.
Here's one of our two firewire card readers. Here's a second firewire card reader. This is the new Lexar Card Reader; this is a SanDisk reader; two different brands, two different technologies, similar functions. This however is the newest one that lets us read the UDMA high-speed cards, which really takes advantage of the firewire 800 throughput.
A power adapter for the laptop of course, a secondary battery. Here's our Firewire 800, we use a g-tech drive. That's really great because it doesn't require an external power source, although you can use one if you need to. This is our mother of all batteries; it's a MaxPower 90 from SPS. This lets us run the laptop for many more hours than this battery, or the battery in here would let us run it for. Laptop, MacBook Pro, with a Cingular wireless card in there.
We also carry a VGA adapter so that we can plug our laptop straight into a standard VGA connector for an LCD projector or an external monitor that the client might have.
A lot of other knick-knacks that we have in here are an extra iPod, some triple A batteries for the headset, and we have the new iPhone iPod headset that's got the microphone built into it. This is the SD card reader. One of the nice things is a little accessory is our ability to split our headphones into two. So if our client sitting next to us, and they want to watch the movie with us, or we have someone who just wants to watch a movie with us whose sitting next to us. This allows us to share our headphones.
This is a standard firewire to mini-firewire converter, and a backup Bluetooth headset for our phone. A backup pair of headphones for the client who wants to watch the movie with us, but actually doesn't have a headphone set.
We have a handheld remote so that we can control our laptop remotely, when we're doing a PowerPoint or Keynote presentation. We have a backup, alternate version of a handheld remote. We have our primary jawbone Bluetooth Wireless headset and our power connector. What's nice about this is it plugs into the laptop and can be recharged via USB. We have a backup connector, so that we can connect the laptop to a regular VGA monitor. We have the ability to charge the iPhone.
We have a USB JumpDrive that allows us to store critical doc*ments and critical files and applications. In addition, if you are working up in your hotel room and need to actually print out a doc*ment that you've got there; you can actually put the doc*ment onto the USB JumpDrive. Take it down to the hotel's printer in the lobby or in their business room and print from the USB JumpDrive. And last, but not least, a CF card that's a backup. We always have one extra card sitting in the laptop bag just in case.
Because we rely so critically on our laptops, we also travel with a secondary laptop. This laptop is in a Pelican 1490 Case. It's got our charger, again our ability to connect into a VGA monitor, a separate airline adapter. The adapter also connects so that we can plug into the airline that way. Laptop, external extra battery, and two USB drives so that we can store our files that way. So that's our laptop system, also referred to as our digital workstation.
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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
On shoots where we're not steady, whether it's an unstable platform or its long lenses and slow shutter speeds, we rely on our Kenyon Gyro to steady the shot.
We pack it in a Pelican 1450 Case and it either attaches to the bottom of the camera or the bottom of the lens depending on which system we're using. The kit is relatively small. The Gyro itself also is relatively small. There are multiple sizes of gyros.
The key with the gyro is to make sure when its powering up or powering down you don't have it on a surface because it will chatter around as its trying to steady itself on a flat surface and it could cause damage to the gimble inside.
A well thought out helicopter will actually have a power connection for you to connect the Gyro directly into the helicopters power. If you don't have that though what you can do is connect into a belt pack battery pack that you where on your belt or if you don't have a helicopter to plug into out and about.
So this is our Kenyon Gyro.
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This is an uncut series of still photographs created in 5 days for personal work and for promoting the 2007 Hasselblad ...
This is an uncut series of still photographs created in 5 days for personal work and for promoting the 2007 Hasselblad Masters. It is likely that only 6 to 10 of the 2000 images herein will ever have a commercial or fine-art life.
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Video from Hasselblads Victor Magazine. ... hasselblad victor magazine ...
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From the Discovery Channel ... Lens Canon Nikon camera ...
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I've shot with both, so here are my comments. The 40D is a great camera. The D300 is just more advanced. Watch the video ...
I've shot with both, so here are my comments. The 40D is a great camera. The D300 is just more advanced. Watch the video and remember...they're just cameras!
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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
So this is our White Lightning kit. You see a little dust coming off of it because we haven't used it in a long time because we use the Hensels.
We use this primarily as a backup solution when something were to go wrong with the Hensels, which to date hasn't really happened. We also use this kit to loan out to people if they really need to borrow a set of lights.
Its packed in a Pelican 1650 case. So in our White Lightning case we have a X3200 which is a 1600 Ws head, we have a X2400 which is a 2400 Ws head, we have a case with extra bulbs, power strip, we have another 2400 Ws head here, and one more 2400 Ws underneath it. We have a 25 foot retractable extension cord.
Over here we have some reflectors, light modifiers, a couple of snoots, various power and sync cords that we need. One of the nice things about the White Lightnings, and what attracted me originally, is that they are monolights. They don't require a pack, which sometimes can be really beneficial.
In addition, as you saw in the case down here in the lower right hand corner is a case that has back up modeling lights and flash tubes in it. So that's the White Lightning case.
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Find 32 more videos at http://www.AssignmentConstruct.com .Transcript of this video: Hi, I'm John Harrington and we're ...
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I'm John Harrington and we're going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
One of the things we use a lot is our Jacobson Blimp. The camera is often too loud for us to shoot on a soundstage, movie set, or in other areas where silence is critical. These cameras as you probably know by now are awfully loud.
We pack it in a Versa-Flex case, which is a semi soft case but you can still stand on it. The blimp is actually a hard case, and inside the case is a cut out for the camera with a remote. The camera actually fits in with the remote connecting to the camera. The camera slides in nicely, neatly inside the case. We use mostly our prime lenses for this.
In this case we've got a 35 1.4. The 35 1.4 goes on with the lens tube. These lens tubes are fitted to each lens. Now when you fire it, now the camera is much quieter, much less likely for the noise to be picked up from a sound stage microphone. Each tube is in here; each lens has a different tube.
There's the 24-70 tube, this tube also works for the 135. One of the nice things about the tube when you are using a zoom is the outer ring. The outer zoom ring is actually slightly larger on the camera. When you put the lens in the tube, the foam inside the tube actually grabs the zoom ring and lets you zoom the lens, so it does actually work very well with the zoom lens.
Other tubes fit on the blimp as well. This tube is for an 80 -- 200. So this case just holds the blimp and the tubes, no cameras typically are stored in here. So we have the long tube, the mid tube, and the small tube, all that store in here. We tuck our finger in, and pull the lenses off. It's pretty easy to switch lenses.
Now the lens is on, stick your finger in there and take the lens out. Camera unpacks same way, simply disconnect there. And that's the Jacobson blimp.
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Added:10 months ago
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Presentation of the Hasselblad *205FCC for an ebay-auction. THIS CAMERA IS SOLD! :-) ... Hasselblad ebay auction camera ...
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Added:1 year ago
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When I first purchased my Hasselblad I struggled to load film--both 120 and 220--in it. Then, one day, a kind soul taught ...
When I first purchased my Hasselblad I struggled to load film--both 120 and 220--in it. Then, one day, a kind soul taught me how. I took a video of the explainer in the hopes it could help others. :)
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Added:8 months ago
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